My earliest infant memory is being held in my mother’s arms on a street corner in Strawberry Mansion (a neighborhood in north Philadelphia) as she stopped to speak to an acquaintance. I recall a blindingly bright day. Although I was quite near-sighted and not yet wearing glasses, I recall that my mother’s friend’s face was covered with warts, or cysts, and looked like it had been created by a pizza-maker idly poking at a fist full of dough. What I realize, the many times that I have turned this memory over in my mind, is that the experience had not so much to do with seeing a memorable face but of seeing an ugly face and in being aware at that very young age that I could be repelled by what was unattractive. This was long before I had words for things, and long before I had any idea about abstract notions such as beauty and ugliness. This intense reaction to the world of things seen has been a powerful force throughout my life.
A LUNAR ECLIPSE and other INTRODUCTIONS to COSMOLOGY and SCIENCE
One night perhaps in 1942 when I was about three years old, my father swooped me up in his arms and carried me out the kitchen door into a narrow side alley that separated the rear of our row house from the house next door. The memory is dim but I recall him pointing into the night sky so I could see some celestial event that frankly was more puzzlement than revelation. Perhaps it was occurring too slowly for my child’s attention span to latch onto and comprehend but I sensed it was something in the dark night sky that was special. I felt my father’s excitement that he wanted to share with me. Who knows whether it was that early childhood exposure to a celestial event deemed exciting and important that started me on a life-long quest for understanding the workings of the cosmos. I suspect it was and particularly because it was became so indelible in my young, formative mind. It was only a couple of years later that my father again stirred my interest in matters scientific. One afternoon he brought me close to our radio (no TV back then) to hear the explosion of the first atomic bomb. I got so scared as the countdown neared the anticipated roar, that I ran outside onto the pavement fearing that the radio and the house would explode. Around this time also, my father tried to explain what a light year is and what the speed of light was all about. We continued our stroll around the reservoir in the Strawberry Mansion neighborhood of Philadelphia where we were living at the time and my little brain was spinning trying to comprehend these fabulous distances and incredible speeds. No wonder that now, and for much of my adult life, many of my waking hours (and nighttime hours when I should be sleeping) are devoted to trying to peel back the onion skin layers that conceal the ultimate realities that lie hidden behind the generally misleading information that comes to us through our senses. Such is the origin of my theory on the Illusionistic Nature of Perception.
My father used the front room of our first floor apartment on Diamond Street in Strawberry Mansion as his law office. I believe he also had an office in center city back then. A bronze plaque, rather conventional in design, was affixed to the façade of our brownstone and readable from the stoop: ABRAHAM J. LEVINSON (and in smaller print and in italics) Attorney at Law. It seemed to me special to have such a formal and serious sign on our house. In his office was a desk and some leather guest chairs and a couch. It was spare and not particularly impressive. I seem to recall a framed image of men wearing capes and wigs; the kind of drawing I later learned that lawyers typically had on their walls.
One day my brother and I were alone in the apartment with nothing much to do. This was before the age of television and we weren’t yet into reading. I was about six or seven and my brother was two years older. Because we were bored, we decided to have a catch but couldn’t find a ball. I was a kid,even back then, not bound by convention or standard modes of thought and so it might have been me who suggested we use ground beef instead of one of my father’s tennis balls, which apparently we couldn’t find. Somehow we ended up in my father’s office for our game of catch. One of us must have thrown a wild pitch and a ball of sticky red meat sailed out of reach and flattened on the tall blank wall behind my father’s desk. Oops!
We stared at the red puck of greasy ground sirloin until it began to peel…ever so slowly…from the wall then dropped to the floor with a plop. Hill and I thought that was really funny. And so our game of catch took on a new dimension. The goal was to see who could get the ball of meat to stick the longest. We were roaring with laughter as we watched our meatballs splat against the light blue wall, stick there for a few minutes, then sag, peel, and finally drop…leaving behind an array of almost perfectly round telltale stains of grease flanking the men in capes and wigs. After a half hour or so of wild fun, we tired of this inventive pastime and went on to other mischievous activity, leaving the wall looking like the face of a young teenager covered with zits.
Was it possible that we knew that we were doing a bad thing at the time and went ahead anyway? Was it possible we thought the grease stains would evaporate like water leaving barely a trace of residue? Was something missing in our upbringing that would allow us to deface the place where our father earned the money to pay the rent for the very room we were marring, not to mention the rent for the other rooms in our house, not to mention the food and clothes we used each day?
That night, red-faced with fury like the ground beef we had been tossing around his law office, my father pulled down our pants, pulled his belt from around his pear-shaped middle, and whacked the living shit out of us. We bawled and bawled and finally realized that we had done something really bad.
About halfway between our row house on Diamond Street and the Park Theater at the end of the block lived a man who had fabricated something in his basement that I would pay hundreds of dollars today to see once again. I don’t believe I was ever told who the man was or whatever happened to his extraordinary construction.
One day I was taken into his house and then down into the small low ceiling basement. He had constructed there a miniature Santa’s workshop, peopled by animated gnomes the size of dolls. I have no idea what force animated them but they all moved — tapping little hammers, sawing pieces of wood, even appearing to apply paint to little fabrications and doing everything that one would expect of Santa’s helpers. I recall raw materials moved through the panorama and I was sure things were being fabricated for delivery to all my Christian friends.
The Lilliputian workshop was on a raised platform consisting of many levels and many of the gnomes’ heads almost touched the joists of the floor framing above. The place was busy with activity and there may have been music to accompany this chamber of industry. I was stunned that human hands could create such an extraordinary dreamlike panorama and to do have had this occur in a basement in a not-very-well-to-do neighborhood was even more unexpected. As I think back on it, the event seemed more like a dream than real, but I am certain I went there, met the ingenious creator of this subterranean workplace and am certain I saw this unbelievable fabrication. The hours, the ingenuity, the dedication. I wonder whether it ever made it into the papers or on the radio or whether it remained a hidden phenomenon known only to a few adults and their incredulous children.
So perhaps now you have some idea why it’s been difficult for me to clear my office of all the things that connect me to lives past and all the questions I never got to ask. Life is like thin sheets of seawater sweeping up across the beach then sliding back into the ocean, leaving behind a few gasping bubbles and a handful of sand crabs scurrying around in search of something not visible. You see the beach then it disappears behind a reflection of sky and clouds. Here one moment, gone the next.
Oh, do I wish my mother’s ashes could speak and tell me why Mom, and Hilly, and I were not swept out to sea in the 1944 hurricane that summer in Wildwood. I think it was the first time I experienced my mother as a woman separate from me, separate from my needs and wants.
I wish I could ask her why we survived, why we weren’t sucked into the sea like all the others. What could she tell me of those terrifying hours? I want to go back to Wildwood and experience it all again, but with the assurance, of course, that the outcome would not be changed by some malevolent writer of fiction invisible above the fury of those unforgettable, cyclonic clouds. World War II was winding down that year, and my mother had taken my brother and me to Wildwood, a seaside resort roughly halfway between Atlantic City and Cape May, for a week of vacation. My father, a private and inaccessible man, remained in Philadelphia attending to his law practice, and attending I presume to the skirts that fluttered on the streets of Center City. I guess he was happy to have some time alone, away from the family. He liked being alone, sitting in the sunroom, his pants open at the waist, the New York Times tented over his basketball belly, Beethoven on the radio, asleep, alone, unconnected to the living.
I think it was already afternoon when the cab carried us through the hot humid late summer air back to the small second floor apartment Mom had rented on the second floor of a beachfront cottage. A cab would seem an unlikely mode of transport given what I presume my father’s income was back then, but perhaps news of a storm was beginning to spread, and people spent what they needed to seek shelter. As we got out of the cab, enormous raindrops, the size of sand dollars, suddenly fell from the sky and hit the concrete pavement with splats as loud as machine gun fire. We dashed from the cab and raced up the exterior steps and into the security of our apartment, which consisted mostly of a single room with windows on three sides that faced the ocean. There were some closet sized bedrooms that faced back toward the bay. The wind was starting to whip up and the ocean looked troubled. Swells started far out near the horizon and rolled in like lines of tanks arriving for battle. The sun was in retreat, clouds marauding across the sky. It was as if a war-machine of nature had been sent to our shores from the war between nations on the far side of the Atlantic.
The stream of retreating bathers had cleared the beaches within minutes of the arrival of that bizarre rain shower and the narrow street next the house was now empty. The rains suddenly vanished, swept aside for the moment by buffeting winds. I noticed a car drive up alongside the house and park no more than thirty feet from the five-foot sea wall that protected our house. A thin man wearing a white dress shirt, black tie and a light weight black business jacket hopped out with a bulky press camera swinging from one arm. He quickly positioned himself with feet firmly on the macadam to take pictures of the angry sky and the wild ocean. Waves repeatedly exploded in green-white fans as the sea smashed against the sea wall. Water splashed over him and swirled forcefully in treacherous pools around his legs, soaking his pants all the way to his belt. He kept shooting, trying to protect his gear, slipping photographic plates from his jacket pocket into and out of the rear of the camera.
My mother opened one of the windows that formed a continuous band around this fragile summer room and screamed into the howling wind, imploring the man to leave. Even at five years of age, I was proud of her concern for the welfare of others but felt she was a tad premature in expressing her concern. I can still hear the desperation in her voice as she alerted him to the mounting danger more visible from our elevated vantage point than from his. After a huge plume of seawater suddenly shot up over the wall, the man jumped back into his black car barely escaping a mountainous wave that could have done him in.
We watched the ocean get crazier as huge waves slammed into the sea wall and crashed thirty feet over our house. I think my brother and I would have been really frightened if we actually understood the peril that was descending upon us. I wish Mom’s ashes could speak to me and tell me how scared we really were. The house shook as the ocean’s mountainous waves relentlessly pummeled the house driven by 90 mile an hour winds.
The owner of the house lived alone on the first floor. She came up the back steps to confer with my mother from time to time with a terribly frightened look on her face. It was agreed she would stand on a table and bang on the ceiling to let us know she was still all right. We could hear her below us during a lull as she pushed furniture against the door that faced the ocean and what was left of the disintegrating sea wall. Then the ocean would surge again and crash open the door and slammed her and the furniture to the rear of the room in a grinding deafening screech. Outside of our water and sand-streaked windows the ocean and the sky had fused into a ferocious cauldron of cyclonic energy, gray and furious, whirling and battering, and in a state of unspeakable fury.
I had packed a green periscope-shaped flashlight. I fetched it from my carry bag and pressed the aluminum button to send flashing signals into the darkness that surrounded us. I was five years old at the time, my brother seven, and my mother in her lovely thirties. If she had been terrified, I cannot recall, and knowing her she would have tried to conceal it from us as she bit her lower lip. Perhaps all of us were lulled into believing that the house would somehow protect us against the immeasurable fury of nature. That’s what a house is supposed to do, isn’t it; protect! Although our bungalow was anchored deep into the sand through its wood pilings, the building shuddered and groaned with each onslaught of waves. I must have been scared because at some point my mother said, Joel, look out the windows to the left. When you see that house go, then you can be scared. The words were not fully out of her mouth when the house imploded and was sucked down into the raging waves of the sea. We could not hear the explosion or implosion, or the cries from anyone trapped within, so masked were the sounds by the howling irate winds.
Come back, Mom, and tell me what happened next. Were we all crying on the floor, or praying? Certainly not praying! Mom’s father read Bertrand Russell and subscribed to Bertrand’s brand of atheism, as did my mother, and as do I. At least she was an atheist until her dying day’s fifty some years later when she decided to hedge her bets and accept there might be a god out there somewhere. If there was a god out there in that hurricane of 1944, he must have left his watch, or momentarily lost control of the nature he was supposed to have created. I’m just dying to know more about what we were all thinking, and feeling, or saying, or fearing to say in those moments when our lives were hanging in a terrifyingly precarious balance.
I think we must have slept for a while (I can’t imagine how) because my next memory is that of a sunny sky and a peaceful ocean, as if the hours of dark and untamable madness had been but a dream. Up and down the beach we could see only a handful of isolated houses, porches torn off, windows blown out, where before there was a solid line of houses that curved along the coast in both directions. It was a scene of such total devastation that it is impossible to erase the scene (imagined or otherwise) from my memory. Did my brother and I realize that hundreds of lives were washed into the sea along with the countless houses. It didn’t register then, at least for me; it surely does now. To this day I still grow fearful when the wind howls.
Our cottage now stood in the middle of the sea, as if this were perfectly normal, and we should go about enjoying the day as if we were on a fishing boat. Our landlady, who had come upstairs with us sometime during the night, was inconsolable. Eventually two men in yellow raingear rowed a lifeguard boat up alongside the house. One man steadied the rolling boat as the other one struggled to muscle a ladder in our direction as we stood in the still strong winds on a now cantilevered second story stair landing to which our outside stairs had once been affixed.
The four of us huddled on this precarious ‘balcony’ afraid to descend the swaying ladder into the arms of a stranger no matter how strong and tan he looked. One of the men carried me down first, then Hilly. Then he went up for my mother, her sundress fluttering in the breeze, that irrepressibly flirtatious smile beaming on her face, but her heart no doubt skipping wildly with pent-up anxiety.
Our landlady was now alone on the balcony and she wailed and covered her face in embarrassment, grief, and unfathomable sorrow. She initially refused to let her chubby body be carried down and away from everything that had been the center of her life for decades.
Hilly remembers that we were rowed to a stretch of visible road from which we could walk to a bus terminal or a train station. Far in the distance we saw a tiny moving dot. The dot loomed larger and then we realized it was a man racing toward us along the broken roadway. He raced past huge empty pools of seawater with building pieces floating like rafts. We saw a kitchen table top that amazingly still held a plate with a slice of pizza seemingly glued to it.
When we finally realized who it was in his white linen suit and straw hat, wearing his fancy lawyer shoes, we too raced toward him. His face was white, nose a bit red, tears filling his weary small eyes. Hearing of the hurricane, he boarded the first train he could get with no assurance we were still alive, probably already steeling himself for what he must have presumed was the inevitable news that we had been washed out to sea like the others and taken back to the watery womb that had brought forth all of nature several billions years earlier.
A believer in the god of his Jewish faith, he must have thanked God for the miracle he was now hugging with all his might, fearing the worst and wondering all the time whether he was still dreaming.
THE PANAMA HAT
Around age five or six, while still living in the Strawberry Mansion section of Philadelphia, my father gave me one of his ‘retired’ summer hats as a gift. Perhaps it was damaged or soiled or no longer in fashion. The Panama was much like one of his smooth, gray felt, Fedoras that he wore in the winter but rather than felt this hat was a woven Panama, probably a Stetson, in a light sand color. The fact that my father gifted me this adult possession surprised and amazed me and I wore it with immense pride. He was not otherwise not a particularly generous man.
The gift came absent any special occasion and I strutted around our one floor apartment in the Philadelphia neighborhood of Strawberry Mansion thinking I was now somebody special. I have always had a physically large head but as a youngster it was still surprising the Panama fit me at all, although it oftentimes decided not to cooperate and would slide forward over my eyes causing me momentary embarrassment especially if my older brother caught sight of me playing a big shot.
I was allowed at the young age to be outside alone but I knew I had to stay relatively close to our home. One spring day I ventured out on the stoop of our three-story brownstone on Diamond Street wearing the hat and feeling special. None of my friends had their father’s Panama and I seemed to need to be somebody (Superman or Tom Mix), so the hat added prestige and a little height to my small frame.
I wasn’t out there very long when two young black teenagers came walking up the block presumably heading back from Fairmount park and toward (for me) the forbidden zone on the far side of Ridge Avenue. That was a zone where my family never went, and as far I could tell a part of the city cloaked in mystery and danger.
Standing close to the door I sensed no danger or ill-will as these boys approached and I even sat down on the sloping stone wall that flanked the steps. As they passed by, the boy nearest me reached out and snatched the hat off my head in one sudden, lighting-quick assault, much like the tongue of a frog can snatch an insect in a stunning blink of an eye. One minute I was sitting there, Panama on my head, feeling proud and happy and the next instant I was without my beloved hat, my badge of adulthood, the symbol of being special. It now sat on the head of the stranger as he swaggered down the street, a jive cant to his step. He no doubt felt proud of his bloodless conquest. I ran inside and fell into my mother’s arms telling her through a face full of tears that somebody stole my hat. Gone was a truly cherished possession, the gift that made me a little man, something once belonging to my father that had up until a moment ago and, for too short a transporting spell, once belonged to me.
My father was always prejudiced against blacks – back then they were called Negroes or worse – and demeaningly referred to by my father and his Jewish cronies as schwartza. It was odd though that many of the clients in his law practice were black and I was told later in my life that he provided free service to the poor blacks who had not the means to pay him. My mother was more enlightened and probably it was from her that I absorbed the sentiment that the term schwartza was an offensive moniker.
Nevertheless, the incident of my Panama hat being snatched from my skull in a gesture of presumed entitlement, struck me back then with a palpable, emotion-searing realization that there were blacks and there were whites. It was a notion that never registered before, but that violation of my person and my property altered my view of the world that still resonates with me today, more than seventy years after the heist.
If there were integrated neighborhoods anywhere in America in those days, they were few and very far between or totally non-existent. I don’t even recall blacks passing through our neighborhood going to or from the park (but of course they did), but that day changed it all for me. The sense of them and us became part of my understanding of the world in which I lived and even today as an old man, that instant brash robbery reverberates in me as an everlasting, iconic violation; an early marker of the fact that races were not melded back then, they were things apart, cultures separated, different peoples.
Today I confess I still harbor some prejudice but I also have chosen to live in integrated neighborhoods and bring up my kids in an integrated neighborhood. This ambiguous feeling of mine, or should I say, layered attitude toward blacks, that is loving most and fearing a few, leads me to remember how foolish in a way the term racist society is. Because some whites fear blacks and others hate blacks, that does not make a racist society because this simplistic term does not account for all the whites (particularly the of the Jewish faith) who have loved, supported, honored, fought for and married blacks. I for one have have loved, supported, honored, and fought for their equality and integration in American society, as I do today for Muslims, including my ‘adopted’ Bosnia daughter.
My bother Hillel told me that when we were small kids, Dad would have us get a dictionary and sit near him when he was on the toilet and for every word we could find that he didn’t know, he would give us each a penny, which was worth a whole lot more in the mid-forties than now. Strange place for early schooling!!!! But maybe Dad had read Roman history and knew that Roman men would sit together in rather posh, public toilet rooms and converse about daily life, business, and hope the chat might lead to a dinner invitation.
As soon as Hill told me of this curious educational venue (during a most unusual 1.5 hour telephone conversation that my brother apparently did not want to end), it reminded me of the coins I would hand out to my second wife’s grandchildren when I gave them the science quizzes at the dining room table. I guess I now know the origin of the more recent money quizzes but I’ve had no memory of the Toilet School contests until Hill told me about this most bizarre form of toilet training.
There were two sisters who lived down the block from me on Diamond Street in the Strawberry Mansion neighborhood of Philadelphia (1938-1946); Joan was younger, and Phyllis Mashbitz was my age and I had a crush on her. One day in the Park Movie Theater, which was at the other end of the block, Phyllis and I were sitting in the dark watching a movie (probably a Tarzan flick or Gene Autry) and eating popcorn. Out of the blue, Phyllis said, “Now when I say fuzzy you say duck and when I say duck you say fuzzy. I liked games…so she began: she said fuzzy and I said duck, then she said duck and I said fuzzy. This went on for a bit until she said duzzy and I said fuck. I don’t think I knew what fuck meant at that time but her giggling response led me to believe I had said something dirty.
I had my own interest in matters innocently sexual at the time and tried to get my female friends to pull down their pants so I could see what my brain chemistry informed was of interest. Although the girls would scream in mock protest, they seemed to like being tied to telephone poles and threatened so they’d pull down their panties, but they never did.
One day, after calling ahead, I went down the street to visit Phyllis. I walked down the dark corridor to the door of their first floor apartment in their brownstone. Mrs. Mashbitz, who had a bit of the devil in her, herself, and laughed easily, opened the door and welcomed me in. She called the girls who were in a front bedroom to let them know I had come to visit. After a few minutes, both Joan and Phyllis came nonchalantly into the living room stark naked as their mother and I were talking. They positioned themselves a few feet in front of me, but facing away fro me. Then, as if they had rehearsed the action that followed (no doubt at Phyllis’s urging), they both bent over exposing to my astonished eyes their little, not-yet-fuzzy clefts. As Mrs. Mashbitz burst into laughter, I turned blood red, turned on my heels, and fled down the corridor in a state of extreme embarrassment that still gives me discomfort these seventy years later (2017).
The story doesn’t end. One day, roughly thirty years later (between marriages as I recall), I received a call from a deep voiced woman. The sound of her voice immediately brought back memories of my early years. It was Phyllis who was in town for a few days. She wanted to see me and I was curious to see where life had taken her. The woman whose parts I had wanted to see and the girl who wanted to show them to me, wanted again to treat me to a view and more. It was so very strange to be with the girlfriend from my youth whose body had aged but whose voice had not. I was concurrently both in the present and in the past and the experience was for that reason memorable, disorienting, but conjugally not a sexual experience I would choose to repeat. Such is the world of fantasy and reality.
In 1968 I was living on what was then called the Wolf Estate in Rydal Pennsylvania, a wealthy suburb of Philadelphia. I was anything but wealthy, renting a tiny Victorian-era gardener’s cottage from the esteemed Howard Wolf and his wife Cupid.
The estate was a 7-acre enclave with a manor house, a barn with sheep that grazed in our back yard/pasture, boxwood gardens, a grape trellis, and a greenhouse.
It was an idyllic place to start a family and our two children, Aaron and Julie have the fondest memories of this nature-filled start to their lives.
The barn was an imposing structure built in part of stucco over brick and stone and in other places of wood siding over heavy timbers. On the street side of the barn, an old and venerable wisteria vine wound around a row of round steel columns that supported an overhanging portion of the barn. I never understood how the vine survived the annual pruning by Fred the caretaker who ritualistically cut the vine back to just a few muscular trunks. The trunks were probably well over a hundred years old and looked unsurvivable after Fred wielded his saw and clippers. Near the columns were old heavy barn doors that screeched on their rusted steel tracks when the door was slid open or closed.
Before I had planned on becoming an architect, I wanted to be a farmer, so living next to an old barn resonated deeply within me on some basic organic and spiritual level. I loved the smell of the upper level of the barn where bags of the feed were stored among an assortment of old tools that were festooned with dusty cobwebs. Odd scraps of paper bearing faded notes could be found here and there lying on the wide, slightly-cupped, book- thick floor boards. A cupola way up high brought dim filtered light into the upper story of the barn. Mud formed wasp nests kept you alert and flies buzzed about following a happy flight downstairs to crawl about on the redolent sheep pancakes.
All my life I’ve been a daydreaming, project kind of guy that loves to give parties. My wife back then, Carol – a blond natural beauty – and I hatched a plan to have an old-fashioned Thanksgiving party in the barn. We invited our friends who were asked to dress in appropriate seasonal costume and bring a dish or two to share with the “Indians.”
I had designed a house a few blocks away for one of my first clients, Shirley and Lee Weiner, but construction had not yet started. I got their permission to cut down two trees that had to be removed to make room for the house. (The Weiner Residence can be seen under the Architecture section of this website.) My friend Tom White and I got a truck, cut down the thirty-foot trees, cut away the bottom ten feet of the trunk and hauled them to the barn. They transformed the interior of the barn creating a dramatic Pilgrim party ambiance.
I rigged up lots of makeshift candleholders and attached them to the stone walls. Carol’s parents were renovating a carriage house not too far away and 3” x 12” planks had been removed that made perfect Pilgrim tables, when two planks were set side by side. Our guests had been asked to bring their own chairs.
I rigged up our stereo system and made a tape of a few surviving Shaker women singing old hymns which I played as our guests filed into the unusually cold, below-freezing barn interior. Mr. Wolf had graciously allowed me to set up what’s called in the construction industry a Salamander. It’s a metal tube that blows propane flames into a construction site to keep the carpenters and plasterers warm. It did near-to-nothing to warm the huge space. Hot dishes of turkey and sweet potatoes almost froze solid as soon as they were served on the plates.
I don’t think anyone heard the frail voices of the Shakers when the party got started but when we turned up Otis Redding and the Beatles, people were on their feet and dancing like they had never danced before. The ruckus caused Mr. Wolf to beam proudly as he saw his barn put to a non-farm use that had never before even been imagined. Even though he stood next to the licking flames of the Salamander, the usual drop of clear mucus hung suspended at the tip of his nose.
The barn party went on until the wee hours of the morning. We were all relieved that an errant candle had not fallen from its holder and ignited a pocket of straw hiding between the floor boards.
MARCHING TO THE BEAT OF MY OWN DRUM
Around 1957, I was experimenting with various new sculptural mediums and tried sculp-metal, a product that had just come on the market. I created this strange figure dancing off the edge of the base and have of late titled it off the edge. The significance of this odd work for me is that it represents many personality traits then were then evident and that would become more pronounced as the decades passed. Most importantly, it expresses my predilection for “marching to the beat of my own drum.” I was even then dancing off the edge of conventionality, moving outside the confines of traditional norms with head thrown back in abandon and flying off the grid of orthogonlity – off the grid of the right angle and all that that represented. I don’t think that at the time I was aware that this sculpture expressed something so essential to my creative perspective, but perhaps I had some inkling even back then. I was a veritable array of diagonally positioned limbs long before my interest in Diagonality surfaced. Even locating the work in the sunporch window of our house on Glen Echo Road with the diamond patterning of the window muntins showing could be seen as intentional, but that may only be evident in retrospect.
This piece of sculpture also hints at what would be a distinguishing feature of my later work in architecture and photography: an original vision. I attribute this aspect of my creative efforts to the upbringing of my mother who always urged me to think for myself, to experiment, to march to the beat of my own drum.
MORE STORIES TO COME . . .